Dimensions of Knowing Assignment
Creative Processes, ECIAD
Directions
- Pick a Fruit or Vegetable
- Discover the “dimensions of knowing this food”
- Imagine this fruit/vegetable were extinct: how would you represent it?
- All art, in some way, tells a story.
- Also think of the mystery of a narrative
Initial Reactions
ARTICHOKE: Specifically GLOBE artichoke. From MEDITERRANEAN, in the US (and thus Canada). 100 per cent of artichokes are GROWN IN CALIFORNIA.
First thought: FRUIT LABELS and SALMON CAN LABELS
Second thought: ARTICHOKE after riding through California this summer.
My experience: MEXICAN LABOUR, bandanas over face, rush, GUERILLAS
These labourers likely harvest a large portion of the FOOD I bought on my trip and food we buy here in CANADA.
ELEMENTS informing my PROCESS
- Artichoke as interesting plant
- Mexican Labourers
- WORKER REVOLUTION
SOVIET revolution PROPAGANDA posters.
So on the one hand I’m drawn to a sort of call to action for the Mexican workers and their struggle as second-class citizens. And they have a long history in Californian agriculture as the majority of its workforce for the past 100 years.
So I tried to combine this history and relate it the artichoke and my own brief, subjective experience of it. So I amalgamated multiple perspectives: the traditional fruit label style–which effectively ignored the industry’s exploitation–such as:
- Bright colours
- Painted
- Some sort of interaction between the vegetable and some personification of an American consumer
with that set of the symbols of communist worker art:
- Working people
- Strong diagonals
- Monumental scale
Composition
MYSTERY / AMBIGUITY. The relationship between the workers depicted and the artichoke doesn’t necessarily establish a confrontational message between Mexican workers and the produce corporations.
Because who am I to represent the plight of these people? I was merely a tourist riding by.
I wonder if artichoke picking is not a prized job to get. Strawberry or cauliflower are very low to the ground, delicate and/or labour-intensive to pick. Artichokes stand on long stems at arm’s height and appear pretty easy to pluck.
MULTIPLE READINGS the piece could be interpreted in a number of ways.
Finally, I reinforced the contemporary context by mounting the work on a flattened cardboard fruit crate from California, and to express my own subjectivity–my personal framing of the issues–I created a border of black chain grease taken directly from my bicycle (and the actual grease it accumulated during my travels in California).
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